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Now, should you bring up Harold Bloom outside the walls of academe, with someone who has managed to keep something of a private literary passion intact, you’re far more likely to find that they share some warm feelings for the man. “Oh, that Shakespeare book changed my life,” a postgrad Shakespearean once admitted to me in a pub—a sentiment I doubt she ever shared with her famous Columbia professor, who himself joined many other reviewers in trouncing Bloom’s Shakespeare back in the 1990s. Like her professional colleagues, this woman understood that despite any personal interests she might have had, to be really up to date always means consenting to the current fashion. And that fashion is (as perhaps it has always been) to say that only now has academic study even begun to figure out the right ways to study the literature of the past.